*PC = post coronavirus.
By a scholarly poet analyst.
I do not like you little fly
And I shall surely tell you why
You walk on shyte and things that die
And then you land upon my pie.
Don’t come here with your shitty feet
And walk across the things I eat
I just want pastry, gravy, meat,
Not hours upon a toilet seat
So shoo fly, do not bother me
Fly far away and let me be
I only want to eat my tea
Not Campylobacter jejeuni.
The poet has used several literary devices to consolidate his theme. Firstly he has chosen to write only three quatrains with a simple aaaa bbbb cccc rhyme scheme. This sets out the poem in a deceptive, child-like simplicity, almost as if the it were a nursery rhyme, seemingly concealing rather than accentuating the depth and significance of the tragic theme.
He uses internal rhymes, assonance and alliteration to establish a rhythm that seems to support the nursery rhyme theme, belying once again the significance, indeed, the very the depths of despair and desolation plumbed in the work. For it is important to know that this opus was written during the great pandemic of 2020, when people around the world sat isolated in in their homes, afraid of death, and talking to flies. And dying.
He hauntingly starts the first and third verses with clever literary references to great literary works written before; one an ancient Latin tale of distrust*, translated and extemporised, it is said, by Tom Brown himself during his schooldays, and the other a song now considered racist, by Brigham Bishop. It was ostensibly about a fly and a negro soldier in Company B during the American civil war. It may have deeper, darker meaning. He was not the boogie woogie bugle boy.
Both references reflect and project the anxiety and stress of the poet’s own times.
It is known the poet suffered a serious bout of Campylobacter diarrhoea shortly before he wrote this poem. It was severe, and lasted eight days, at the end of which he was beginning to fear he might not just pass more crap than should really be in one man at any one time, but actually pass away.
When he survived, and recovered, he wrote an ode in gratitude
The poem ends with both a bit of scientific erudition, and poetic licence with the pronunciation of jejeuni.
So this poem can be seen not as simple doggerel, but a deep and meaningful metaphor describing the poet’s state of mind, and the state of the world around him, in which the pie represents a life full of happiness and fulfilment (meat and gravy), the fly a wandering traveller, unknowingly infected – or perhaps a thoughtless fucking food vendor who made a ham and egg burger after not washing his hands after using the toilet on Friday the 20th of last month at about 06:30 just after I picked up Lyn at the airport – (sorry!) – thus unintentionally bringing chaos and pain with him.
The brevity of the poem mirrors the brevity of life itself. The three verses represent the three stages of life; childhood, maturity and decrepitude, also known in literary circles as beginning, middle and end. The poet pulls no punches here.
In the poem, the toilet seat is a subtle metaphor for social isolation enforced as Lockdown, that leaves people sitting alone and lonely at home, unable to leave. Unable to be in company.
“Eat my tea” is a metaphor for “live my life”.
Campylobacter jejeuni is clearly also a metaphor, and a clever one at that, for the dread COVID 19 coronavirus that threatens the enjoyment of life itself.
By cleverly not mentioning toilet paper, a necessity when one has the trots, the poet brings it to mind by carefully not juxtaposing shitty and toilet seat in the same verse. This reminds us of the vast amounts of paper (read money) that the pandemic is costing society.
My word this guy packs a lot of meaning between a few lines.
You didn’t know I could be so bloody deceptively deep.
Poem and scholarly analysis © 2020 ARF
*Non amo te, Sabidi, nec possum dicere quare.
Hoc tantum possum dicere: non amo te.
I do not love thee Doctor Fell, Why this is I cannot tell, but this I know, and know full well. I do not love thee Doctor Fell.